Monday, 14 October 2013

Workshop- Creating our own lighting

In todays workshop we had to bring in photos of portraits in which we liked the lighting being used and then had to recreate them using our studio lights.

I chose a photo of Cara Delevingne, her lighting was strong on one side, creating this rembrandt lighting effect (the triangle of light on her right cheek, named after the dutch painter- Rembrandt, who often used this style of lighting).
It was hard to recreate this photo and we tried many lighting set ups- the first one being this…



Camera settings : F13   1/125   ISO 200

This didn't work at all so we got rid of the light on the right side and used a reflector

The camera settings were F8   1/125   ISO 200

We added a black reflector as we didn't want too much light to be bounced back into the photo, we then realised we needed a harsher light to create the rembrandt lighting style and so swapped the soft box for a beauty dish

This still wasn't quite right and so we added a white reflector as well

The camera settings were F13   1/125   ISO 200 and the lights were f6.0

 we finally managed to get something similar, here are my photos…





We then created lighting for a photo one of my group members had brought in- this is the photo of Gwyneth Paltrow

We started with this lighting set-up …

Camer settings were F16   1/125   ISO100
Elinchrom lights were 4 but we then put them up to 5.4 so aperture became F22

This is the photo we took with this lighting set up 

From the photos we decided we needed a hair light/mid light to make it softer, especially on the arm.

New set up: 

This is our final photo

It could do with some editing to make look magazine advert worthy, and maybe a visit back to the studio to spend more time on the lighting, but overall I think we did a good enough job of recreating it.





Also today, our group got to do tethering to capture one on the macs and I was very happy about this as I hadn't done it before and I found it so useful to see our photos pop up straight away on a bigger screen so we could look closer to see if we were achieving the right lighting effects.

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